AC/DC – High Voltage LP levy
Label: Epic – EPC 510759 1, Epic – 5107591000, Albert Productions – EPC 510759 1, Albert Productions – 5107591000
Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 gram
Country: Europe
Released: 2003
Genre: Rock
Style: Hard Rock
Kunto: Uusi (Mint)
Toimitusmaksu 8€ (1-20 levyä)
Toimitus: 1-2 viikkoa
Kappaleet
A1 It's A Long Way To The Top (If You Wanna Rock 'N' Roll) 5:16
A2 Rock 'N' Roll Singer 5:04
A3 The Jack 5:52
A4 Live Wire 5:50
B1 T.N.T. 3:34
B2 Can I Sit Next To You Girl 4:12
B3 Little Lover 5:37
B4 She's Got Balls 4:51
B5 High Voltage 4:03
https://en.wikipedia.org/wiki/High_Voltage_(1976_album)
High Voltage is the first internationally released studio album by Australian hard rock band AC/DC. It contains tracks from their first two previous Australia-only issued albums: High Voltage and T.N.T. (both from 1975).
Originally released internationally on 30 April 1976 on Atlantic Records and in the US on 14 May 1976 on ATCO Records, this edition of High Voltage has proven popular, selling three million units in the US alone. However, initially the album was panned by some critics upon its release, including a review by Rolling Stone magazine's Billy Altman that called it an "all-time low" for the hard rock genre.[2] It was re-released in 2003 as part of the AC/DC Remasters series.
Background
In December 1975, Atlantic Records' UK head Phil Carson signed AC/DC to a worldwide deal. The group's first two albums, High Voltage and the harder driving T.N.T., had been hits in their native Australia – the single "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" peaked at #5 – and now plans were made for the band to tour England in 1976. The group had already recorded their next single "Jailbreak" (for which they had shot a music video) and had already begun recording their third LP Dirty Deeds Done Dirt Cheap when, in April 1976, they flew out on their first British tour. The international release only included two tracks from the Australian High Voltage release – "She's Got Balls" and "Little Lover" – with the rest of the songs taken from T.N.T.[3] The band arrived in the UK in the midst of the fledgling punk movement, spearheaded by bands like the Sex Pistols and the Damned. AC/DC was never really part of the movement, but got misidentified as such by some observers, as guitarist Angus Young recalled to Guitar World's Alan Di Perna in 1993:
At that time… we were giving punk music a good name. Because that was the word they used to describe us – punk band. They'd get the wrong idea. We weren't punk, but they'd put us on the same bill as punk bands. And they sure got a shock when they started spitting at us and we spat back. We were never ones for getting slumped under a tag or filed under A, B, or C. We started as a rock and roll band. That's what we play – what we do best. We never claimed to be anything else.
In 2010 Malcolm Young concurred, telling Mojo's Phil Alexander, "Punk rock was just a fashion. … It didn't change the music; it changed the fashion, and that's basically all it is." In a 1977 interview with ABC's Countdown, Bon Scott insisted, "We're pulling bigger crowds than they are. I mean, we've got our following here. It's not new wave, it's not punk, it's just people who like our band. We honestly thought that the punk and the new wave thing might spoil it a bit for us but it hasn't at all. It was a big fad, just like anything else, a big fad for a while. … The main thing about it is it gave rock music a real kick in the guts."
Recording
"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" was edited down from an extended jam by producer George Young (older brother of guitarist Malcolm Young and Angus) and the inclusion of the bagpipes was his idea to add an extra dynamic to the track. Singer Bon Scott had played in a pipe band in his teens, so George suggested he play bagpipes on the song, not realizing that Scott had been a drummer, not a piper. Regardless, Scott – who knew how to play the recorder – learned the instrument and went on to play them on stage with the band for several years. In Murray Engleheart's book AC/DC: Maximum Rock & Roll, former manager Michael Browning states that the bagpipes became the bane of Scott's existence: "I think they probably put more pressure on him than anything I can think of! They invariably never worked. It's a hard instrument to time to guitars, because you're pumping them and they kind of kick in when the bag's full – very difficult to time to guitars." The chanting in "T.N.T." was also George Young's idea, added after he heard Angus ad-libbing the "oi" chant to himself, and suggested he record it.[4]
The production team of George Young and Harry Vanda was crucial in the development of AC/DC's sound. Vanda was a bandmate of Young's in The Easybeats and the pair were the main songwriters of The Easybeats' later hits, including their international hit "Friday on My Mind". In the 1994 book Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, Chris Gilbey, who was the promotion man at Albert Productions at the time, recalls to author Clinton Walker, "The great thing George and Harry taught me, as a producer, was that if you got a good rhythm track, you've got the beginnings of a record. If you don't, you've got nothing." In the same memoir Michael Browning confirms, "George and Harry's most important criterion was rhythm, the whole thing had to just feel right. If you listen to those records today, they feel good."
Composition
AC/DC's second album T.N.T. was a breakthrough for the band composition-wise and sound-wise, containing more of the twin-guitar assault that the band would become famous for, and this may explain why only two songs were included from the glam rock – leaning 1975 debut. "She's Got Balls" (about Scott's ex-wife Irene) was the first song that Scott and the Young brothers put together, while "Little Lover" had been a song Malcolm had been tinkering with since he was about 14 and had been originally titled "Front Row Fantasies" (Scott claimed to have written the song about Angus).[4] "Can I Sit Next to You Girl" predated Scott's involvement in the band, having been recorded as a single with former vocalist Dave Evans; it features a different arrangement and slightly different lyrics from the original version. It also runs almost a minute longer. In 1993, Angus Young shared the origins of the title track with Vic Garbarini of Guitar For the Practicing Musician: "I remember sitting home one night before going into the studio and playing around with some chords, and I suddenly thought, let's try playing...A...C...D...C. Sounded good. And then I thought AC/DC...power..."High Voltage"! I sang the chorus part to my brother in the studio and he thought it sounded great." Lyrically, the LP features Bon Scott chronicling both the good and the bad about the rock and roll lifestyle, warning aspiring musicians that "it's harder than it looks" ("It's a Long Way to the Top") but also defiantly telling the moral majority to "stick your moral standards 'cause it's all a dirty lie" ("Rock 'n' Roll Singer"). In 1994 biographer Clifton Walker observed that Scott was "virtually encapsulating his entire life" in both songs. The lyrics of "The Jack" (sometimes titled "(She's Got) The Jack") were developed by Scott who was inspired by a letter Malcolm Young received during a tour of Adelaide. The letter, from a woman in Melbourne, implied that Malcolm had given her a venereal disease, although he claims that when he got tested, he was clean. Scott's original lyrics were far more explicit than those heard on the album, which he deliberately toned down in case the song got played on radio. The bravado-driven "Live Wire", which was also sexually suggestive, would be the band's show-opener for several years.
Personnel
- Bon Scott – lead vocals, bagpipes on "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)"
- Angus Young – lead guitar[13]
- Malcolm Young – rhythm guitar, lead guitar on "Little Lover",[14] backing vocals
- Mark Evans – bass guitar on tracks 1–6
- Phil Rudd – drums on tracks 1–6
Additional personnel
- George Young – bass guitar on tracks 7–9
- Tony Currenti – drums on tracks 7–9[15]
